Nick Lowe

Elvis Costello's Orchestra

Elvis Costello and his Orchestra - hammersmith Palais 1981

This photo has to be the largest group of people that we ever shot. It was originally used on the inner bag of the Trust LP in 1981, the Orchestra comprises of all the people who worked for Elvis at the time, plus the Guest Artistes on the Record, Glenn Tilbrook and Martin Belmont. You will recognize Nick Lowe playing Sax in the front row and the incomparable Cynthia Lole sitting next to Glenn. Barney Bubbles designed the Music Stands especially for this photo.

It was taken at Hammersmith Palais as that was where EC had spent many hours watching his father, Ross, rehearse with the Joe Loss Orchestra. Instruments and Dinner Jackets were also rented for the occasion.

Given the size of the place it took every strobe pack that we could get our hands on, twelve Balcar packs were spread out under the balcony, even with that amount of power, 28,800 Watts at full power, the exposure was only F5.6 (for photo nerds only).

What was great about this shoot was that everyone did exactly what we asked and paid attention during the entire process. Given how hard it usually was just to get to get Bands to listen to instructions it was incredibly helpful that everyone did what we said. But, this was a special bunch of people who took the photo very seriously, and I thank them for that...

Nick Lowe LP Cover

Nick Lowe - Clapham Common 1979

I seem to have known Nick Lowe for as long as I can remember, first coming across him in the early 70's when he was a member of Brinsley Schwarz, he then produced LP's by Elvis Costello and Dr Feelgood amongst many others. His first LP, Jesus of Cool was renamed Pure Pop for Now People in America by the powers that be, he followed that up with Labour of Lust whilst at the same time appearing in Rockpile, a band he had formed with Dave Edmunds in 1975.

One time when we were at Top of the Pops I spied Andy Williams on the other side of the studio, Nick was wearing his famous Riddler Suit and we went over and ambushed Andy in order to get a photo of the two chaps together. The photo that appeared in the NME is legendary although Andy had absolutely no clue who we were.

This photo was taken in the back of a small van, Elvis Costello had just played a gig for Rock against Racism at Clapham Common. Nick and I were wandering back to the tube station when the van pulled alongside, the back doors opened and we bundled in to a van already full to the brim with EC and the Attractions, it was used on the cover of his compilation album 16 All Time Lowes.

Nick Lowe goes Thrift Shopping

Nick Lowe - Buffalo 1978

For any British band touring America in the 70's the first thing you did after checking in to the Hotel/Motel was to hit up the Thrift Shops and Pawn Stores.

Back then there were still gems to be had at both, and musicians rigorously checked them looking for guitars and other instruments, on this particular day Charles Shaar Murray found a Telecaster in great condition, in fact he lent it to Nick so that he could play Heart of the City in the encore at Elvis's show that night at the University.

Thrift Shops, also known as Sally Ann's (Salvation Army) were great places to find cool stage clothing, and also winter coats, much needed as this trip occurred during the great Blizzard of '78.

These were the days before Johnson and Johnson started being the place for Rock Star Threads, us chaps could not get enough cowboy shirts, leather jackets, cashmere coats and a whole lot more.

The Thrift shop in this photo is in Buffalo, and the temperature was 15 below, but Nick Lowe is a hardy chap and never even bothered to wear a jacket over his legendary musical note sweater.

Nick Lowe - Buffalo 1978For any British band touring America in the 70's the first thing you did after checking in to the Hotel/Motel was to hit up the Thrift Shops and Pawn Stores.

Back then there were still gems to be had at both, and musicians rigorously checked them looking for guitars and other instruments, on this particular day Charles Shaar Murray found a Telecaster in great condition, in fact he lent it to Nick so that he could play Heart of the City in the encore at Elvis's show that night at the University.

Thrift Shops, also known as Sally Ann's (Salvation Army) were great places to find cool stage clothing, and also winter coats, much needed as this trip occurred during the great Blizzard of '78.

These were the days before Johnson and Johnson started being the place for Rock Star Threads, us chaps could not get enough cowboy shirts, leather jackets, cashmere coats and a whole lot more.

The Thrift shop in this photo is in Buffalo, and the temperature was 15 below, but Nick Lowe is a hardy chap and never even bothered to wear a jacket over his legendary musical note sweater.

Nick Lowe throwing Shapes

Nick Lowe - Toronto 1978

When Jesus of a cool was released Charles Shaar Murray and I went to the US to do two cover stories for the NME, one on Nick and the other on Elvis.

The American record company was nervous about the LP's title and chose instead to call the album Pure Pop For Now People, a catchy little phrase that worked quite well as an alternate title.

Nick had brought Mighty Martin Belmont from the Rumour with him and was due to do a couple of special gigs to promote the LP.

Rather than a full set Nick chose to join Elvis for the encores in Buffalo University and at the El Mocambo in Toronto. He also did a special radio show for CHUM FM.

The people at the El Mocambo put up a special sign for this event, Springtime for Basher it proclaimed, using a line from the Producers along with the nickname many if us knew him by. It came from his simple instructions to bands he was producing in the studio, "bash it out—we'll tart it up later".

It was too good an opportunity to miss and so I asked Nick to stand outside the club and throw a few shapes, Nick did this with ease, the expression was one Nick used to describe the art of guitar playing in front of an audience.

"It's easy being in a band, all you do is go onstage and throw a few shapes"